Supermrin is an Indian artist working at the intersections of sculpture, and ecology. Herbioart project “FIELD” employs the widespread use of engineered lawn grasses as anoperative metaphor for a capitalist, colonial mindset that has led to ecologicalcollapse.“FIELD” has been featured in Lund Humphries’ recent publication, “TowardsAnother Architecture: New Visions for the 21st Century”, edited by Owen Hopkins, acritical rethinking of Le Corbusier’s legacy in the global south in the face of climate change.Supermrin’s work has been exhibited in the United States, Europe, and Asia, at venuesincluding the San Francisco Art Commissions Galleries; Cheateau de Vaudijon, Colomber,Switzerland; the Italian Virtual Pavilion at the Venice Biennale for Architecture 2021;Untitled Art Fair, Miami; Headlands Center for the Arts, Sausalito; Governors Island, NYC;Tactile Bosch, Wales, and others. Her recent exhibition “Rodin Response: FIELD familysecrets”, curated by Dr. Peter Bell at the Cincinnati Art Museum, OH is an artistic reply tothe legacy of sculptor Auguste Rodin (French, 1840–1917), and the fragmented histories ofcolonialism and modernism of his era. Her two-person exhibition “Aliens: ColonialNarratives Through Plant Migration and Bio-Art” curated by Isabella Indolfi at PS122Gallery, NYC explore the politics of land and nature through the language of plants.